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A performance of "bai choi" singing (Photo: VNA)
Accordingly, Quang Tri will spend about 1.8 billion VND (77,500
USD) on a set of measures to preserve and promote the traditional art form,
including organising classes for young people on the practice of "bai choi”;
supporting artisans, clubs, and communities performing "bai choi”; and
promoting "bai choi” as a traditional art for cultural and tourism
development.
Since 1990, "bai choi” festivals have been recreated across villages in Quang
Tri, for example in Tung Luat and Co My villages in Vinh Giang, Vinh Linh, as
well as in Ngo Xa Tay village in Trieu Trung, Trieu Phong. The practice has
mostly been passed down orally through the generations. However, most "bai
choi” artisans are now quite old, putting the art at risk of sliding into
oblivion.
In December last year, the art of "bai choi” was awarded UNESCO status in
the 12th session of the Intergovernmental Committee for the Safeguarding
of Intangible Cultural Heritage held in Jeju Island in the Republic of
Korea.
The art originated almost 400 years ago, when Dao Duy Tu, an outstanding
mandarin under the reign of the Nguyen Lords (1558-1777) who later formed the
Nguyen Dynasty (1802-1945) in Hue, created the game to entertain the community
during their post-harvest time.
"Bai choi”, which literally means a deck of cards (bai) and bamboo
huts (choi), is half a game and half theatre performance. Nine bamboo huts
on stilts are erected on a spacious land plot, in two rows, each made up of
four huts for the players. The bigger hut is in the middle, with a wooden stand
for the controller of the game.
One to three players share a hut while the audience surrounds the
rectangular playing plot. At the beginning of each game, each hut receives
three cards. The controller sings folk songs that include the names of 27
cards, giving clues to the players as to what their cards might be. The aim is
for the players to guess their cards.
The players must find the name of the card being mentioned in the
verses in the song, and then find out the coinciding cards in their hands. The
winner is the first hut to have three cards that coincide with the names given
by the controller.
The controller’s singing, dancing, and other gestures are
accompanied by music played on traditional instruments and cheers from the
audience. ”Bai choi” stories include lessons on morality and
compassion, as well as love for the village and the nation.
The art reflects the spirit of human solidarity. All the
villagers, both audience members and players, are drawn into the joyful ambiance
for the purpose of sharing happiness and solidarity.
"Bai choi” is Vietnam’s tenth cultural practice to receive
the title from UNESCO. The art was awarded intangible heritage status
thanks to a creative recreation within a village community.
Source: VNA
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At the end of May, the Hoa Binh Provincial Ethnic Arts Troupe organized a series of performances for residents in Region 2 and Region 3 communes across the province. Bringing art to ethnic communities in remote, isolated, and especially disadvantaged areas has become a meaningful activity. These are not merely artistic performances but also journeys to disseminate cultural values, enrich spiritual life, and contribute to preserving the cultural identity of ethnic minorities.
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