(HBO) – Purple sugarcane, attaching to the life of Muong ethnic minority since ancient time, is not only a crop of high economic value, but also an indispensable item in key events of the community, especially the Lunar New Year festival (Tet) and wedding ceremony.
When being children, we were often tasked with
going to the edge of the forest to cut fresh reeds to erect a neu pole and then
to fields to chop down a couple of sugarcane plants as decorations for Tet. We
kept fulfilling our tasks for the 27th day of the passing Lunar year’s last
month without ever wondering what is the meaning of the sugarcane. Years went
by; we grew up and learnt that the plants are also an integral part of any
wedding ceremonies in our community.
Once I posted a photo capturing a wedding
ceremony of a Muong couple. Under the post, a friend of mine from the
university raised a question that why the groom's family has to carry sugarcane
with them when going to the bride’s home.
The question prompted me to find an answer. I
asked many people from different ages; most of them told me it is the custom.
Feeling unsatisfied, I came to meet Bui Van Nhon, a manliving in Tan Lac
district’s Gia Mo commune who is dedicated to learning about the Muong ethnic
minority. Nhon shared my curiosity about the sugarcane and had spent time
collecting related materials and studying the custom. He said the plants’
presence on Tet or at wedding ceremonies is originated from a legend about the
Coi sisters.
Legend has it that once upon a time, there was a
giant mosquito in the land of Muong people, which annually fed on selected
locals. Then it was the Coi sisters’ turn to be the feed. The sisters loved
each other so much, and both were willing to give up their lives for the other
to survive. Unable to decide who would go, they went to the mosquito’s cave
together so that the mosquito could choose to eat the one it wanted. Waiting
for predator in front of its home during the freezing 12th month of the lunar
year, they cut wild sugarcane and collected bagasse from other victims to make
a fire for warmth. Unexpectedly, the smoke from their fire killed the monster.
Muong people appreciated what they did and the sugarcane has since become a
symbol of the sisters’ love and held a significant role in their life.
Of the same opinion is Bui Huy Vong, an artisan
of folk art. According to Vong, sugarcane is cultivated with its stalks, which
sprout when being placed on the ground. With such strong reproduction feature,
the plant becomes a symbol of fertility and growth, which match the expectation
of Muong people for a new year. Since ancient time, the community has brought
home a couple of sugarcanes on Tet. The selected ones, with their roots and
leaves left intact, must be long, strait, and beautifully coloured, and free
from pests and diseases.
Meanwhile, at a wedding ceremony, a carefully
selected couple of sugarcane must be carried by young male relatives of the
groom. The plants represent an aspiration for a sweet marriage life ahead,
while their carriers a hope for their first child to be a son.
In a word, all explanations show Muong people’s
yearning for warmth, sweetness, growth, and the elimination of evils and bad
things.
As the Year of the Buffalo approaches, we are
now living our childhood memories with the tasks of bringing sugarcane home and
watching for boiling pots of Banh Chung (square glutinous rice cake)./.
Phong Phu commune, Tan Lac district of Hoa Binh province, is widely regarded as the cultural heartland of the Muong ethnic group. Among its many traditional communities, Luy Ai hamlet (formerly Ai hamlet) stands out as a rare location where the customs and way of life of the Muong Bi people remain largely intact.
The Truong Kha temple festival, a distinctive cultural event held every three years in Vu Ban township, Lac Son district, returned recently with vibrant rituals and folk traditions of the Muong people. Located next to the Buoi River in the Muong Trao fields, the Truong Kha Temple is dedicated to the three Kun Dol deities, revered for teaching farming techniques, irrigation, weaving, and protecting the harvest.
The demand for spaces serving community activities of residents in various areas across Hoa Binh city has been satisfied as local cultural houses now feature modern, spacious facilities thanks to the effective implementation of Resolution No. 49/NQ-HDND issued on December 28, 2021 by the city People's Council, which approved the plan for reorganising, converting, and allocating land for the construction, repair, and expansion of cultural houses in Hoa Binh’s villages and residential areas until 2025.
At the end of May, the Hoa Binh Provincial Ethnic Arts Troupe organized a series of performances for residents in Region 2 and Region 3 communes across the province. Bringing art to ethnic communities in remote, isolated, and especially disadvantaged areas has become a meaningful activity. These are not merely artistic performances but also journeys to disseminate cultural values, enrich spiritual life, and contribute to preserving the cultural identity of ethnic minorities.