Bui Van Cuong, a local from Bo town of Hoa Binh’s Kim Boi district, has made his first visit to Chai village, Vong La commune of Hanoi’s outskirt Dong Anh district where late Party General Secretary Truong Chinh drafted the "Outline of Vietnamese Culture”, the first platform on culture 81 years ago. For Vietnamese culture lovers like Cuong, the historical relic site is a must-visit place.
Cuong held that the platform helped unlock the sources of national culture in
the context of accelerating anti-imperialist and anti-feudalist movements
towards the August Revolution in 1945.
It showed the strategic vision and mindset of the Party on the significant role
of culture in the country’s revolution, contributing to shaping and promoting
the Vietnamese culture in the Ho Chi Minh era, affirming that the Party’s
leadership over culture is a political necessity and an objective need, said Cuong.
Introduced in 1943, the "Outline of Vietnamese Culture” defined three movement
principles in culture: nationalisation, popularisation, and scientification.
These are still seen as fundamental principles guiding the development of the
Vietnamese culture.
The spirit of the document was associated to the Resolution of the fifth
plenary session of the 8th Party Central Committee and the Resolution of the
ninth session of the 11th Party Central Committee, which are important
documents released by the Party on the development of the Vietnamese culture in
the new period.
Particularly, after the 13th National Party Central Committee and the national
conference on culture in 2021, Party Committees and administrations at all
levels have determined to implement tasks in cultural development.
Hoa Binh, a Muong region with rich cultural values, has made efforts with high
political determination to implement the "Outline of Vietnamese Culture”,
focusing on strengthening communications and popularisation of Party and
State’s policies and laws regarding cultural heritage. The province has
encouraged people from ethnic minority groups in the locality in general and
the Muong community in particular to maintain their good cultural traditions
and eliminate outdated customs and superstitions. It has educated the local
communities on legal regulations on cultural heritage, festivals, beliefs, and
religions, thus enhancing public awareness of protecting and promoting cultural
heritage and cultural values of the nation and their ethnic groups.
According to the provincial Department of Culture, Sports and Tourism, the
locality’s outstanding activities in maintaining the national cultural identity
included the implementation of projects to collect, research, and translate Mo
Muong verses, and the listing of local cultural heritages such as Gong and Khai
ha festivals.
Particularly, Hoa Binh has completed the building of the Muong language script,
which was approved by the provincial People’s Committee, serving the teaching
of the language in the province in the 2018-2025 period.
Phong Phu commune, Tan Lac district of Hoa Binh province, is widely regarded as the cultural heartland of the Muong ethnic group. Among its many traditional communities, Luy Ai hamlet (formerly Ai hamlet) stands out as a rare location where the customs and way of life of the Muong Bi people remain largely intact.
The Truong Kha temple festival, a distinctive cultural event held every three years in Vu Ban township, Lac Son district, returned recently with vibrant rituals and folk traditions of the Muong people. Located next to the Buoi River in the Muong Trao fields, the Truong Kha Temple is dedicated to the three Kun Dol deities, revered for teaching farming techniques, irrigation, weaving, and protecting the harvest.
The demand for spaces serving community activities of residents in various areas across Hoa Binh city has been satisfied as local cultural houses now feature modern, spacious facilities thanks to the effective implementation of Resolution No. 49/NQ-HDND issued on December 28, 2021 by the city People's Council, which approved the plan for reorganising, converting, and allocating land for the construction, repair, and expansion of cultural houses in Hoa Binh’s villages and residential areas until 2025.
At the end of May, the Hoa Binh Provincial Ethnic Arts Troupe organized a series of performances for residents in Region 2 and Region 3 communes across the province. Bringing art to ethnic communities in remote, isolated, and especially disadvantaged areas has become a meaningful activity. These are not merely artistic performances but also journeys to disseminate cultural values, enrich spiritual life, and contribute to preserving the cultural identity of ethnic minorities.