Generations of ethnic groups in the Central Highlands have used gongs to convey their innermost sentiments and communicate with their deities.

The Central Highlands gong culture
spreads across 5 provinces – Kon Tum, Gia Lai, Dak Lak, Dak Nong and Lam Dong.
The musical instrument has been practiced by Ba Na, E De, Co Tu, M’Nong and Gia
Rai ethnic groups. (Photo: VNA)

The gong cultural space was recognised
as a Masterpiece of Oral and Intangible Cultural Heritage of Humanity by UNESCO
in 2005. (Photo: VNA)

M’Nong people in Jun hamlet, Lak
district, Dak Lak province play gongs at a ceremony to pray for the health of
their elephants. (Photo: VNA)

A Xo Dang girl plays a
gong. (Photo: VNA)

Patriarch of Jun hamlet Y Tong Drang
tests the sound of gongs. (Photo: VNA)

Gia Rai people play gongs at a
grave-leaving ceremony. (Photo: VNA)

Folk artisans from the Central Highlands
play gongs at the Vietnam National Village for Ethnic Culture and Tourism in
Hanoi. (Photo: VNA)
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M’Nong children in Jun hamlet learn to
play gongs. (Photo: VNA)

The musical instrument
has become a tourist attraction in the land of forests and
mountains. (Photo: VNA)

A gong performance
(Photo: VNA)

Foreign tourists dance
to the sound of gongs performed by M’Nong artisans inside a traditional long
house.(Photo: VNA)
Source: VNA
Nestled halfway up the mountains in Cao Son commune, Da Bac district, Sung village appears like a picture preserved intact through generations. With a history of over 300 years, the village is home to nearly 100 households of Dao Tien ethnic group – the people who still maintain their distinctive characteristics in housing architecture, clothing, customs and traditional crafts. The village is drawing increasing interest and exploration from both domestic and international tourists, as every visit becomes a cultural journey to experience the authenticity, friendliness, and hospitality of this highland region.
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